.Considered along with LAS MENINAS to be one of the
most important masterpieces of DIEGO DE VELAZQUUEZ ,
as if final perido,this metological scene despits Minerras dispute
with Arachne over weaving abilities.Traditionally cosidered to
represent women working at the tapestry workshop of Santa
Isable but it now prored that it is mythological subject.It was
probably painted around 1657.The title of “THE SPINNERS”,as
it ispopularly known,is a later invention and seems to have been
inspired by the women who are spinning in the foreground
they were workers in the Santa Isabel tapestry factory in
Madrid.This Velazquez painting, considered for a long
represent a generic theme,actually hides the depiction of a
mythological theme draped in the everyday labour of a tapstry
workshop.In the mid forties,sepcialists refused to interpet it as a simple
every day scen.Their doubt were clarified when reearcher Maria Luisa
Caturla brought to light aninventory in which an unknowed Velazquezs
Fable of Arachae was mentioned,owned by huntsman to King Philip
4th,Don Pedro de Arcc.One of the problems that hindired the
identification of the subject lay in the fact that the work did not belong to
collections and documentary information existed about it.

The Fable of Archa,as related in Ovids Metamorphoese,tells how Minerva,goddess of
the arts and of war,competes with Arachne,famous for her skill in spinning in weaving
a tapestry.The young spinner was insolent enough to prevent in her work one of the
love advantures of the goddess father Jove,and by way of punishment,she was
transformed into a spider.

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Even so,Velazquez had used Baroque recourse of inserting a picture within a picture
since he was a youngman, and he linked to reverse the order of important of the
story(i.e putting the trivial forward and the fundamental behind) This canvas was
added onto it in the 18th century,on the upper part and both sides.It is not know if this
aws done to restore it to its original state (it was thought to have suffered damage in
the Alcazar fire of 1734) or if it was simply and attempt to complete the scene to make
it larger.Certain scholar say it is an Apology of fine arts,intended to show the
superiority of the art of painting over the hand crafts, while others see it a Political
Allegory after Ripas Iconology.

The Spinning wheels turns rapidily showing the loose Velazquez technique.The
canvas was probable damaaged by the fire in the Alcazar(1734) and an upper s
ection was added. An “arrepenrimento”can be appreciated in the head of the
girl in profile, represented in the right side of the painting.As a goddes of
ears in the backgroundin military dress.It is at the back of the work shop where
the fable is recounted;in the foreground we see the actual labour of the
workshop.Both space are graced with the magnificentand the meticulous use of
light and a freedom and loosen of brush strokes that make the painting one of the
most valueable of those predating Impressionism.The key painting by means of
the afrorementoned mythological story,accompained by a tapestry with the Rape
of Europr,by Titian painting as a declaraction of superiority of art over mere
manual dexterity.It has been in the Prado since 1819.